Coming of age at the dawn of the twentieth century, Charles Ives saw the halcyon days of his youth fading fast. Not willing to let them go, he invented a striking new musical language to enshrine the feelings and ideals of a simpler time. But many, shocked by passages like the “fireworks” in ‘Fourth of July,’ found his new-fangled methods at odds with the memories he was trying to preserve. Did Ives go too far? Or did he succeed in turning his memories into music?
Explore the sights, sounds and influences that brought Copland to write music that gave Americans a sense of their own identity and created a truly American sound. With excerpts from the original 13-instrument version of Appalachian Spring.
Aaron Copland blended his Brooklyn Jewish roots with jazz, folk music, and hymns to gamble on a new American sound, yet how such an unlikely outsider captured the spirit of Billy the Kid is a tale worth its own string section. From Fanfare for the Common Man to Appalachian Spring, Michael Tilson Thomas and the San Francisco Symphony pare Copland down to reveal the sound we now recognize as purely American.
Ranging from tender sentiment to savage chaos, the music of early 20th-century composer Charles Ives explores an essentially American riddle: how can we survive the relentless assault of our own success? Join Michael Tilson Thomas as he, the San Francisco Symphony, and Charles Ives belt it out over truth, beauty, and the American Way.