Television
Music is the way it is now because, from time to time, revolutionary composers have rocked the world. Their work broke the old models and set a new course for the future. Recently, Michael Tilson Thomas and the San Francisco Symphony have been looking at three of those revolutionaries: Beethoven, Stravinsky, and Copland.
Join us as we explore just what it was that made their work so groundbreaking.
Browse Shows:
Hector Berlioz: Symphonie fantastique
Berlioz’s orchestral sonic spectacular, written to win the heart of a beautiful actress, demanded sacrifice from its author and his audience. From romantic daydreams to deadly displays of devotion, the symphony relates an “episode in the life of an artist.”
AIR DATE
October 2009
October 2009
Charles Ives: Holidays Symphony
Ranging from tender sentiment to savage chaos, the music of early 20th-century composer Charles Ives explores an essentially American riddle: how can we survive the relentless assault of our own success? Join Michael Tilson Thomas as he, the San Francisco Symphony, and Charles Ives belt it out over truth, beauty, and the American Way.
AIR DATE
October 2009
October 2009
COMMENTS
3
3
Dmitri Shostakovich: Symphony No. 5
Hidden beneath the surface of his life-saving Symphony No. 5, Shostakovich may have left a subversive cipher. In this episode of Keeping Score, investigate the arresting symphony that would either redeem Shostakovich or condemn him to the Gulag. What Shostakovich has to say might depend on what you’re brave enough to hear.
AIR DATE
October 2009
October 2009
COMMENTS
5
5
Copland and the American Sound
Aaron Copland blended his Brooklyn Jewish roots with jazz, folk music, and hymns to gamble on a new American sound, yet how such an unlikely outsider captured the spirit of Billy the Kid is a tale worth its own string section. From Fanfare for the Common Man to Appalachian Spring, Michael Tilson Thomas and the San Francisco Symphony pare Copland down to reveal the sound we now recognize as purely American.
AIR DATE
November 2006
November 2006
COMMENTS
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Stravinsky: The Rite of Spring
Savage and primitive, hypnotic and hell-bent, Igor Stravinsky’s The Rite of Spring turned Paris into the scene of one of the most astounding opening nights in history. In this episode of Keeping Score, the clutching tendrils of the music pull us back through France and Russia to the wild abandon of pagan times.
AIR DATE
November 2006
November 2006
COMMENTS
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Beethoven: 'Eroica'
Beethoven's Third Symphony laid bare his dreams, his fears, and, at its climax, his rediscovered heroism. From his early musical rivalries in Vienna to his terrifying duel with deafness, Beethoven reveals the roots of his genius in this episode of Keeping Score.
AIR DATE
November 2006
November 2006
COMMENTS
0
0
MTT on Music: The Making of a Performance
How can marks on a 150-year-old page transform into the unflinching emotion of Tchaikovsky’s 4th Symphony? From decoding the score, to uncovering Tchaikovsky’s hidden history, through rehearsals, tuning, and the big bang of opening night, Michael Tilson Thomas (MTT) gives us a backstage pass to the making of a performance.
AIR DATE
June 2004
June 2004
COMMENTS
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