Students will complete two language arts activities for this lesson. In the first activity, students use folk songs from the era of the California Gold Rush, which are introduced in the early chapters of By the Great Horn Spoon! by Sid Fleishman, to identify folk song motifs in the classical music of Antonín Dvořák. This will be explored by the students' creation of a labeled line drawing of one of Dvořák 's compositions.
Franklin Roosevelt introduced The New Deal to boost the economy that was shattered by the Wall Street Crash. Students will research the acts and agencies that were to help restore prosperity through expansive government intervention in the economy. Music integration will be in the following components: classical music for the video, poster of the biography of the composer and why he wrote the piece; and analysis of why students choose the classical piece for their video.
This unit is designed to integrate the elements of landscape design and elements of music. Students in 3rd, 4th and 5th grade are asked to consider American landscapes as they learn how one musician, Aaron Copland, created music that is distinctly American - a musical American landscape. Teachers could certainly do one lesson from the unit and not the entire unit.
This integrated lesson, focusing on United States History, incorporates learning about the Wild West and the western outlaw Billy the Kid through the music of Aaron Copland. The lesson provides musical reflection and each movement of Copland’s ballet Billy the Kid work and opportunity to experience deep listening for the elements of Dynamics, Articulation, Rhythm and Tempo (DART).
This lesson will contrast Aaron Copland's Appalachian Spring (classical) and Stephane Furic's Crossing Brooklyn Ferry (jazz), and the role the poems Crossing Brooklyn Ferry by Walt Whitman and The Bridge by Hart Crane, bring to the music.
This lesson was designed for a 4th grade class, but is interesting and easy to adapt and use with all grade levels. The purpose of this lesson is for the students to paint their impression in watercolor of one of the experiences, following a performance of a symphony orchestra.
The lesson helps the students learn to compare and contrast their current life with the past. It is designed to help them learn to more thoughtfully listen to a composer's piece and write a descriptive paragraph of their interpretation.
Students will use the San Francisco Symphony's kids website - sfskids.org - to choose music that supports the events and people associated with the history of Oklahoma, such as Native Americans, explorers and exploration, Civil War, Trail of Tears, Land Run, and farmers and ranchers. Students will write two or three sentences to explain and support their selection of music. In small groups, students will create a statue or tableau depicting one of the events. Students will perform their statue or tableau for the class with their musical selection as a background.
This lesson focuses on the collage-like paintings of the Italian Mannerist painter Giuseppe Arcimboldo. The four paintings named after the seasons are La Primavera (Spring), L'Esate (Summer), L'Autunno (Autumn), and L'Inverno (Winter). This lesson integrates an art history lesson on Arcimboldo, a visual arts lesson on collage, a health lesson on healthy foods, and a classical music appreciation lesson on Antonio Vivaldi and his four violin concertos entitles The Four Seasons.
This lesson involves two genres of music: a classical composition, Concerto No. 3 in F major, Op. 8, RV 293, Autumn from Four Seasons by Antonio Vivaldi; and a jazz rendition of Autumn Leaves, by Joseph Kosma and lyrics by poet Jacques Prévert, performed by Wynton Marsalis. The children are given and bring background information about the fall season, particularly how leaves fall off of a tree or blow in the wind. The children engage in an activity where they can drop a leaf and watch it fall or blow.
Students will gain knowledge of the life and music of Ludwig van Beethoven. Within the study, students will be able to identify and use processes important to reconstructing and reinterpreting the past by using a variety of sources; providing, validating, and weighing evidence for claims; checking credibility of sources; and searching for causality, to seek to determine the identity of Beethoven’s Immortal Beloved.