Using Saint-Saens' Carnival of the Animals as a stimulus prompt, students will generate descriptive language of several animals (with special focus on verbs), culminating in the writing of a poem about the animal of their choice.
This integrated lesson, focusing on United States History, incorporates learning about the Wild West and the western outlaw Billy the Kid through the music of Aaron Copland. The lesson provides musical reflection and each movement of Copland’s ballet Billy the Kid work and opportunity to experience deep listening for the elements of Dynamics, Articulation, Rhythm and Tempo (DART).
Students will use the San Francisco Symphony's kids website - sfskids.org - to choose music that supports the events and people associated with the history of Oklahoma, such as Native Americans, explorers and exploration, Civil War, Trail of Tears, Land Run, and farmers and ranchers. Students will write two or three sentences to explain and support their selection of music. In small groups, students will create a statue or tableau depicting one of the events. Students will perform their statue or tableau for the class with their musical selection as a background.
This lesson involves two genres of music: a classical composition, Concerto No. 3 in F major, Op. 8, RV 293, Autumn from Four Seasons by Antonio Vivaldi; and a jazz rendition of Autumn Leaves, by Joseph Kosma and lyrics by poet Jacques Prévert, performed by Wynton Marsalis. The children are given and bring background information about the fall season, particularly how leaves fall off of a tree or blow in the wind. The children engage in an activity where they can drop a leaf and watch it fall or blow.
After exploring nature and country life through literature, poetry, visual art, science and social science, young children will explore feelings about nature by responding with movement to Beethoven's Symphony No. 6 in F Major, Opus 68, known as Pastoral Symphony, or Recollections of Country Life. By listening to the words of Beethoven (from documented source materials), students will become familiar with his feelings and his desire to express these feelings through his Symphony No. 6.
This lesson introduces basic communication skills by asking the following questions: What does communication mean? What do good communicators do? Selections from Fanfare for the Common Man by Aaron Copland and Carnival of the Animals by Camille Saint-Saëns will help us define musical terms and discover the answers to our questions. Following this lesson, students will have a better understanding of the definition of communication and the different aspects included in the definition.
This lesson uses Aaron Copland's Billy the Kid as a stimulus for creative thinking. The students will listen for changes in tempo and dynamics in Billy the Kid. Then students will create an abstract painting, and describe the tempo and dynamics they heard in a written composition.
Students will understand the relationship between musical notes and fractional parts. They will become familiar with the concept of equivalent fractions. They will understand the importance of finding common denominators prior to adding fractions.
Music can portray and evoke emotions. What musical elements do you hear that make you feel a certain way? How does the composer use these elements to portray emotion? Students will listen to a musical selection and brainstorm the feelings it evokes, and then move into a writing activity about that emotion.
This integrated lesson uses Edvard Grieg’s Peer Gynt Suite No. 1, Op. 46, first movement "Morning Mood," and Frederick Chopin’s Nocturne Op. 9, No. 2, to study day and night. As part of our science curriculum, we read and learned about day and night; routines at home and at school for day and night; and what animals are awake and asleep in the day and night.